Call for applications
The Science and Technology Studies (STS) Center at European University at St. Petersburg, Russia is announcing a call for participation in Digital Traces I: Meta-Morphologies of St. Petersburg summer school that will combine lectures by participating faculty and a practical hands-on lab directed by Lev Manovich and Damiano Cerrone. Participants will learn the basics of digital mapping and analysis using open source and social media data.
See the program for this upcoming conference to be held at the Institute of Modern Languages Research, University of London, here and follow the twitter feeds and . See also the Cities project at the School of Advanced Study, University of London.
In the spirit of this conference, here is a scene from an airport of the Second World:
Tolmachevo airport in Novosibirsk. Source: Institute of Modernism, Moscow.
A LONG, HAPPY LIFE. BUILDING AND THINKING THE SOVIET CITY: 1956 TO NOW
October 30–31, 2015
Garage Museum of Contemporary Art
Prior registration required
Сonference is focusing on Soviet Modernist architecture and urban planning. Participants include historians of art and architecture, cultural theorists, sociologists, media-studies experts, and practicing architects, who will attempt to overcome the traumatic rupture with the Soviet past and reconnect it to our present culture. Continue reading
September 3 – 5, 2015
University of Toronto
Centre for European, Russian, and Eurasian Studies
Munk School of Global Affairs
1 Devonshire Place | Room 108N
Toronto, ON M5S 3K7
Sponsored by the Canadian Social Sciences and Humanities Research Council, the German Research Foundation (DFG) and the Centre for European, Russian, and Eurasian Studies at the University of Toronto. Continue reading
First of all, I want to thank: Steve Harris and Steve Barnes for taking the time to organize these blog conversations; Ana, Ekaterina, Asif, Wilson, and Jeff for taking the time to read my book with such care and offer their comments; and Yale University Press for facilitating the discussion. Second, I want to apologize for how long it’s taken me to formulate my first response. I’ve been traveling, and this has prevented me from sitting down to write something that is equal to the very high standards set by my fellow participants!
I’ll now take some time to respond to some of the questions and comments that the panelists have offered, in the hopes that this will then spark more questions and conversation about my book. I’ll start with what seem to be some common themes in the responses.
Congratulations to our colleagues on launching this new book!
The volume is an extension of the main research themes explored by the exhibition Enchanting Views. Romanian Black Sea Tourism Planning and Architecture of the 1960s and 70s, held in the Sala Dalles of the National Museum of Contemporary Art in Bucharest between 10 October and 23 November 2014.
Inviting recognized authors from the fields of history and theory of architecture, art history, film and anthropology, the volume re-examines the experience of post-war modernity on the Romanian coast in a more nuanced way pointing: the sensitive conjunctions between the “social engagement” of the extensive development project on the Romanian seaside and the policies of (re)presenting local tourism; between the exceptional status this architectural laboratory acquired at the time and the architect’s complex motivations for taking part in the debates of post-war architectural culture.
The authors’ interventions argue for a rewriting of the meanings contained by the complex terrain of the seaside project during socialism and for mobilizing new theoretical and cultural references, renegotiating the multiple dimensions of leisure architecture. The publication provides a comparative reading of the Romanian seaside, including a series of three texts dedicated the Bulgarian, Turkish and Russian Black Sea Coast. Authors: T. Elvan Altan, Irina Băncescu, Elke Beyer, Adina Brădeanu, Anke Hagemann, Claude Karnoouh, Olga Kazakova, Juliana Maxim, Carmen Popescu, Magda Predescu, Adelina Ștefan, Irina Tulbure, Ana Maria Zahariade.
There is a lot to say about Alan Barenberg’s deeply researched book Gulag Town, Company Town: Forced Labor and Its Legacy in Vorkuta, partly because there are so many ways to approach it critically as a work of scholarship. The history of the Gulag and the history of urbanization in the Soviet era are two obvious points of reference, but the book could also be offered as a meta-narrative on the transition from Stalinism to post-Stalinism and how that passage was contingent, complicated, and colored by historical memory: the late Soviet period had elements of the Stalinist past, and Stalinist past had embedded in it the roots of the post-1953 Soviet Union. This kind of articulation, of effacing the firm boundaries that one might seemingly expect in Soviet history, across time (think 1917, 1953, etc.), across space (the “Gulag/Ne Gulag” problem, in Oleg Khlevniuk’s formulation, for example), and across populations (“free” workers and prisoners) are at the heart of the Alan’s fascinating book. Continue reading
Alan Barenberg’s fascinating book Gulag Town, Company Town presents different stages in the life of the town of Vorkuta. The story is based on rich archival material and numerous interviews, mostly with former Gulag prisoners or their relatives. In the beginning of the 1930s, high-quality coal was discovered above the Arctic Circle of European Russia. Shortly afterwards, a decision was made to begin building a rapidly growing Soviet forced-labor camp. During the Second World War, the construction began of a town, separate from the camp complex. Continue reading
The study of one city as a litmus test for broader issues is becoming very widespread because a particular urban case gives an excellent opportunity to trace the formation and unexpected intersections of different processes on the ground level over the long term. However, the main (and rather obvious) challenge of a deep analysis of one case is the question of scale – how to estimate what is typical and what is original in that particular story, how to combine internal and external factors, and many other issues related to the levels of analysis. Alan Barenberg’s Gulag Town, Company Town: Forced Labor and Its Legacy in Vorkuta gives a good example of how to put the story of a particular settlement into a broader and more complicated context. Continue reading